Big leaf huanghuali: the pearl in Ming style classical furniture

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Ming-style furniture represents a remarkable legacy of material culture in ancient Chinese society. Over centuries, it evolved through the influence of scholars and artisans, blending refined aesthetic tastes with masterful craftsmanship. This synergy gave rise to an artistic style characterized by simplicity, elegance, and profound meaning.

The literary class began documenting furniture as early as the Han Dynasty, though these were mostly brief mentions. However, during the Ming Dynasty, scholars emphasized clarity, sophistication, and a natural aesthetic, moving away from excessive ornamentation. They produced numerous writings that set new standards for furniture design, offering detailed insights that surpassed previous eras. Their ideas played a crucial role in shaping the distinctive characteristics of Ming-style furniture, which became a symbol of cultural refinement and personal expression.

Influenced by the literati’s taste, furniture decoration gradually shifted toward understated elegance, rejecting artificiality and over-decorating. Even when embellishments were present, they were minimal, subtle, and purposeful, distinguishing themselves from the flashy styles favored by the newly wealthy. In this cultural context, the natural grain of wood emerged as a key feature of Ming-style furniture, celebrated for its beauty and authenticity.

For instance, large-leaf huanghuali (yellow rosewood) was highly valued for its striking texture and rich color. Ming-era texts frequently mention this preference, and other woods like eucalyptus, hongmu, and rosewood also received attention. During the Longqing period, the lifting of maritime restrictions allowed increased trade with Southeast Asia, leading to a greater availability of premium hardwoods like huanghuali. This, combined with the booming commodity economy and the construction of luxurious gardens and mansions, elevated the quality and artistry of furniture production. The use of high-quality woods such as Daye Huanghua Pear enhanced both the visual appeal and structural integrity of Ming-style furniture.

Experts in the Weilin wood industry emphasize that Ming-style furniture not only relied on the strength of hardwood but also highlighted its natural patterns. Classical furniture often showcased the wood's inherent beauty, with the most visually striking pieces used in prominent areas. Large-leaf huanghuali, known for its elegant color and unique texture, was particularly favored by scholars. Reporters visiting workshops have observed how the natural grain of this wood is considered a form of art, even if some imperfections are seen as "ghost faces" in traditional literature. While many may find these features unattractive, the literati appreciated them as symbols of natural beauty and artistic depth.

Fastening For Urban Transit

Main components:

2 Rail clip
2 T bolts with hex nut and Washers
4 Sleeper screw
4 Lock washers
4 Plastic Inserts
1 Rail pad
2 Insulator
1 Vibration absorber
1 Resilient sole pad


Components description:

W type Rail Elastic Clip/ SKL clip

Raw material: 60Si2CrA, 38Si7
Type: SKL1, SKL3, SKL12, SKL14, etc
Surface: plain ( oil), black paint, color paint, zinc, hdg, etc

Rail pad
Raw material: EVA/Elastomer/Rubber
Surface: plain

Tie plate/ Rail base plate
Raw material: QT400-15, QT450-10, QT500-7, ZG25, ZG35, ZG45, etc
Surface: plain (oil)

Railway bolt
Grade: 4.6, 4.8, 5.6, 8.8, 10.9, 12.9, etc
Raw material: Q235, 35K, 45#, 40Mn2, 20MnSi, 35CrMo, 40Cr, 42CrMo, etc
Surface: plain (oil), zinc, hdg, black, etc

Plain washer/ Spring washer
Size: from 3/4-1, etc
Raw material: 65Mn, 60Si2Mn, 70#
Surface: black, zinc, hdg

Screw Spike/ Timber screw
Grade: 4.6, 5.6, 8.8
Raw material: Q235, 35K, 45#, 40Mn2, 20MnSi,
Surface: plain (oil), black, zinc, hdg, etc

Metro Fastening System,Underground Fastening System,Fastening For Light Rails,Fastening For Tram

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